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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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GET READY FOR ARSLAN NIZAMI, DRV AND BOYBLANCK AND DANISH AHMED!

It’s a wonderful set of music releases with artists like Arslan Nizami, DRV and Boyblanck and Danish Ahmed that The Daily Eye #Newsdesk r...

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‘JADUNAMA’ - A RAY OF LIGHT IN IMMENSE DARKNESS

Humra  Quraishi comments on the truth lurking behind green curtains in the capital city especially decked up for the G20 ...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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BOLLYWOOD TIK-TALK: THERE’S MUCH HAPPENING WITH GHOOMER

It’s raining stars, as the proverbial saying goes, in Bollywood. Especially on streaming channels where, it seems, all the action has shi...

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LIMERICS AND THE TROUBLED TIMES OF FASCISM

Humra  Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...

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RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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